{"id":1831,"date":"2013-04-02T11:42:06","date_gmt":"2013-04-02T09:42:06","guid":{"rendered":"http:\/\/www.asahidojo.org\/sito\/?page_id=1831"},"modified":"2013-04-05T14:38:20","modified_gmt":"2013-04-05T12:38:20","slug":"ecriture","status":"publish","type":"page","link":"https:\/\/www.asahidojo.org\/sito\/?page_id=1831","title":{"rendered":"L&rsquo;ECRITURE"},"content":{"rendered":"<p>Les types d&rsquo;\u00e9criture japonaise sont au nombre de trois\u00a0:<\/p>\n<p>&#8211; un ensemble de sinogrammes : les <strong>KANJI ( \u6f22\u5b57)<br \/>\n<\/strong><\/p>\n<p>Les prononciations issues du chinois ont donn\u00e9 ce qu&rsquo;on appelle les prononciations <b>ON<\/b>, en japonais <strong>ON&rsquo;YOMI<\/strong> (<strong>\u97f3\u8aad\u307f<\/strong> (lecture par le son), tandis que les prononciations issues du japonais sont appel\u00e9es <strong>KUN<\/strong>, en japonais <strong>KUN&rsquo;YOMI <\/strong>(<strong>\u8a13\u8aad\u307f<\/strong> (lecture par le sens).<\/p>\n<p>Le syst\u00e8me \u00e9ducatif japonais enseigne 1945 <strong>KANJI<\/strong> reconnus officiellement par le Minist\u00e8re de l&rsquo;Education.<\/p>\n<ul>\n<li><strong>\u97f3<\/strong>, <strong>\u304a\u3068<\/strong>. <strong>OTO<\/strong>, le bruit (en lecture <strong>KUN<\/strong>)<\/li>\n<li><strong>\u97f3<\/strong>, <strong>\u30aa\u30f3<\/strong>. <strong>ON<\/strong>, le bruit (en lecture <strong>ON<\/strong><\/li>\n<\/ul>\n<p><a href=\"http:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/th3.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-1838\" alt=\"th\" src=\"http:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/th3.jpg\" width=\"231\" height=\"231\" srcset=\"https:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/th3.jpg 300w, https:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/th3-150x150.jpg 150w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><\/a>\u00a0 KANJI <strong>\u00ab\u00a0AI\u00a0\u00bb<\/strong> signifiant AMOUR<\/p>\n<p>&#8211; deux syllabaires : <strong>HIRAGANA\u00a0\u5e73\u4eee\u540d<\/strong> et <strong>KATAKANA \u7247\u4eee\u540d<br \/>\n<\/strong><\/p>\n<p>Les<b> KANA <\/b><strong>(\u4eee\u540d)<\/strong> sont des caract\u00e8res de l&rsquo;\u00e9criture japonaise.<\/p>\n<p>Les <strong>HIRAGANA <\/strong>qui signifient \u00ab\u00a0KANA lisse\u00a0\u00bb permettent de transcrire la langue japonaise sans ambig\u00fcit\u00e9, au contraire des <strong>KANJI<\/strong> et repr\u00e9sente chacun une syllabe.<\/p>\n<p>Exemple : <strong>\u3068\u3046\u304d\u3087\u3046 = TOKYO<\/strong><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_hiragana.svg_.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1834\" alt=\"Table_hiragana.svg\" src=\"http:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_hiragana.svg_-300x181.png\" width=\"300\" height=\"181\" srcset=\"https:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_hiragana.svg_-300x181.png 300w, https:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_hiragana.svg_.png 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: left;\">Les <strong>KATAKANA<\/strong> signifient KANA fragmentaire et sont des signes correspondant \u00e0 des syllabes (MI, MA, MO, MU &#8230;.). Ils sont utilis\u00e9s dans le syst\u00e8me d&rsquo;\u00e9criture japonais pour transcrire les mots \u00e9trangers.<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_katakana.svg_.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1835\" alt=\"Table_katakana.svg\" src=\"http:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_katakana.svg_-300x181.png\" width=\"300\" height=\"181\" srcset=\"https:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_katakana.svg_-300x181.png 300w, https:\/\/www.asahidojo.org\/sito\/wp-content\/uploads\/2013\/04\/Table_katakana.svg_.png 768w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><strong>Daniel BLANCHET<\/strong> \u00e9crit en<strong> KATAKANA : \u30c0\u30cb\u30a8\u30eb \u30d6\u30e9\u30f3\u30b1\u30c3\u30c8<\/strong><\/p>\n<p>et l&rsquo;usage de l&rsquo;alphabet latin <strong>ROMAJI<\/strong> dans certains cas plus restreints.<\/p>\n<p>Les <strong>ROMAJI \u30ed\u30fc\u30de\u5b57<\/strong> ou plus anciennement <strong>\u7f85\u99ac\u5b57 <\/strong>d\u00e9signent les caract\u00e8res de l&rsquo;alphabet romain utilis\u00e9s dans le cadre de l&rsquo;\u00e9criture japonaise.<\/p>\n<p>Le mot <strong>BIERE <\/strong>s&rsquo;\u00e9crit<strong> BIRU <\/strong>en<strong> ROMAJI <\/strong>et s&rsquo;\u00e9crit <strong>\u30d3\u30fc\u30eb<\/strong> en <strong>KATAKANA<\/strong><\/p>\n<p>Le mot<strong> CAMERA<\/strong> s&rsquo;\u00e9crit\u00a0 <strong>KAMERA<\/strong> en <strong>ROMAJI<\/strong> et s&rsquo;\u00e9crit <strong>\u30ab\u30e1\u30e9 <\/strong>en<strong> KATAKANA<\/strong><\/p>\n<table>\n<tbody>\n<tr>\n<th><strong>Kanji<\/strong><\/th>\n<th><strong>Hiragana<\/strong><\/th>\n<th><strong>Katakana<\/strong><\/th>\n<th><strong>R\u014dmaji<\/strong><\/th>\n<th><strong>Traduction fran\u00e7aise<\/strong><\/th>\n<\/tr>\n<\/tbody>\n<\/table>\n<table>\n<tbody>\n<tr>\n<td><strong>\u7159\u8349<\/strong><\/td>\n<td><strong>\u00a0\u00a0 \u305f\u3070\u3053<\/strong><\/td>\n<td><strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u30bf\u30d0\u30b3<\/strong><\/td>\n<td><strong>\u00a0TABAKO<\/strong><\/td>\n<td>tabac, cigarette<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Les types d&rsquo;\u00e9criture japonaise sont au nombre de trois\u00a0: &#8211; un ensemble de sinogrammes : les KANJI ( \u6f22\u5b57) Les prononciations issues du chinois ont donn\u00e9 ce qu&rsquo;on appelle les prononciations ON, en japonais ON&rsquo;YOMI (\u97f3\u8aad\u307f (lecture par le son), &hellip; <a href=\"https:\/\/www.asahidojo.org\/sito\/?page_id=1831\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":950,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-1831","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/pages\/1831","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1831"}],"version-history":[{"count":6,"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/pages\/1831\/revisions"}],"predecessor-version":[{"id":1833,"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/pages\/1831\/revisions\/1833"}],"up":[{"embeddable":true,"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=\/wp\/v2\/pages\/950"}],"wp:attachment":[{"href":"https:\/\/www.asahidojo.org\/sito\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1831"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}